![]() ![]() That was the beginning of the idea for the character of Jean, just getting to see the journey of the woman inside of those movies from her own perspective.” You know what happened to the guy, he either dies or kills everyone, and the woman just disappears at some point when everything gets ‘too dangerous’ for her and the children. “I would find myself at the end of watching them wanting to know what had happened to them. “There’s all these incredible actresses in those movies - Tuesday Weld, Diane Keaton, Ali McGraw - and they only really have a handful of scenes in those films,” Hart said. Hart pointed to classics like “The Godfather,” “Goodfellas,” “Thief,” and “The Getaway” as the kind of genre classics they ate up, the sort of films populated by female characters who never got the same exploration as their male counterparts. But as much as we love them, I couldn’t stop thinking about the female characters on the periphery of them.” ![]() “Right at the time that we first became parents, we were watching quite a few of them. “I think it’s pretty obvious from watching the film that we love ’70s crime dramas,” Hart said. The film doesn’t follow Eddie instead, it tells his wife Jean’s (Brosnahan) story, interrogating the fallout of her own life in the face of a terrifying mafia threat. Why Are Oscar Documentary Prospects So Sparse This Year?Īlthough the shape of the ’70s-set film sounds familiar on paper - lower-tier mob guy Eddie (Bill Heck) runs afoul of his bosses and has to go on the run - the perspective that Hart and Horowitz bring to it is entirely new. Their latest, the Rachel Brosnahan crime drama “ I’m Your Woman,” only deepens their obsession with telling stories about the kind of women who don’t often lead feature films. While other films and filmmakers might be hung up on building stories around easily digestible and readily recognizable formulas, Hart and Horowitz relish the chance to bring more authentic stories to the screen, the kind that don’t feel like anything else. “With all of our movies, it’s something that we think about a lot, making female characters feel like real women, as opposed to a female character that fits into a formula that everybody is comfortable with,” Hart said in a recent interview with IndieWire. From superheroes to high school students, the women that populate the couple’s films - which Hart directs from scripts the couple write together - find drama and emotion in unexpected, and often otherwise untapped places. Over the course of four films, Julia Hart and Jordan Horowitz have carved out a unique niche: bending both genre and expectations to craft stories that break the mold of what a “female-centric” story can (and should) look like. ![]()
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